Many of you will know or have worked with Philip Saville who died on December 22nd. While I wait for a full obituary, here is an excerpt from his Wikipedia entry.
Saville began his working life as an actor. During the 1960s he directed television plays, such as Harold Pinter’s A Night Out (1960) for ABC’s Armchair Theatre anthology series. He directed over 40 plays for Armchair Theatre and helped pioneer the innovative visual style it became known for, including rapid and intricate camera movements during the often live productions. He also directed Madhouse on Castle Street (1963) for the BBC. The (now lost) production was the first acting appearance of the folk singer Bob Dylan, whom Saville had flown over specifically to take part in the play. Saville’s production of Hamlet at Elsinore (1964) for the BBC pioneered the use of videotape for location recording.
Other significant programmes on which Saville worked include Out of the Unknown (1965) and the Boys from the Blackstuff (1982) for which Saville received a BAFTA to add to his earlier BAFTA for Hamlet at Elsinore, and The Life and Loves of a She-Devil (1986).
I’ve just heard of the passing of John Jarvie – many of you will remember him.
A long career in the BBC started with a spell at Norwich and took him on to become Head of Studio Capital Projects – involving him in the creation of a number of new local radio station buildings – and later engineering general manager at TV Centre.
Thanks to Robin Hall for pointing me to this at the Forum for former BBC Staff
I’ve just discovered this 3D model of the East Tower – many happy memories of Sundays spent lift-racing all those years ago!
Many of you may have found this already, but, in the search for ETD course photos I stumbled across this page with a couple of interesting links to articles by Pat Leggatt and “LG” Smith about the BBC at Wood Norton during the war.
I’ve added this link to the ETD main page as well.
Keith Graham has just commented:-
This year marks the 60th anniversary of the launch of the Ampex VR1000. The Santa Clara (California) chapter of the IEEE, in conjunction with the San Francisco section of SMPTE unveiled a Historical Milestone plaque at Stanford University, where there is one of the first VR1000s on display.
Here is the link to a 30 minute documentary I made with footage of the event and reminiscences from people, including Fred Pfost, the last surviving member of the original development team.
Please forgive my “stealing” John Naull’s animation from the Christmas tape so many years ago.
You can find the video on YouTube here
(Keith is the originator of our photograph of the Ampex Sign)
Many of you may well remember this from 32 years ago! There had been a similar event in 1978 in TC1, where an exhibition of the latest video technology was assembled so that staff could see it for themselves and assess its potential.
You can download the entire pdf here thanks to Phil Ashby who found it ‘in the back of his garage’!
John Farr contacted me to let me know about a shot in the titles of “The 80s with Dominic Sandbrook”, transmitted last Thursday, August 4th, on BBC2.
I’ve grabbed a frame from the third shot in the programme as it features the late Ron Sangster.
The question is, which cubicle?
Current thoughts are VT4, but, sitting here just before posting, could it be VT9?
Answers in an email, please!
I’ve just received this video from Keith Palmer.
Enjoy (or feel sad at what has passed)
Just heard that Gareth Gwenlan passed away this morning.
email@example.com thought that you may be interested in this job.
Job title: Archive Support Engineer
Job reference: REQ0172
Application closing date: 24/05/2016
Location: Hertfordshire – Berkhamsted
Salary: £28,482 – £33,321
Job category/type: Fixed-term
We are looking to recruit an Archive Support Engineer on a fixed-term basis to join the Conservation team as soon as possible.
This exciting role will provide expert engineering and technical support, maintaining and sustaining the diverse range of audio visual equipment, both analogue and digital, to meet a wide range of exciting archive objectives and projects.
If you are fascinated with machinery and technologies, backed up by relevant qualifications and professional experience gained at a practical level, this role will involve working with electronic and electro-mechanical equipment and associated systems vital to the preservation of one of the world’s greatest collections of film and television. You will require strong technical aptitude and possess the necessary skills and knowledge to diagnose faults and repair equipment, working at component level. The ideal candidate will already have excellent knowledge of current and legacy video, audio, digital, television and film systems, spanning all historic technologies, although expert skills and knowledge exist within the team to support this role.
The role is based at the BFI National Archive in Berkhamsted (nearest station is Berkhamsted) and is to start as soon as possible.
You will enjoy benefits such as our BFI pension scheme, 28-33 days annual leave, tickets to BFI festivals and events plus many others.
Further details about the role, including an information pack, can be obtained by clicking here.
The closing date for applications is midnight on Tuesday 24th May 2016.
First interviews will be held on Tuesday 31st May 2016.